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Nude body painting on vimeo11/13/2023 ![]() For example, in 2000, she carved Self-Portrait with Daughter Alasua in 1972, depicting herself with her oldest daughter as an infant in her amautik (parka). Oviloo’s role as a mother was always important to her, and she would represent her maternal relationships in carvings, blending the two aspects of her identity. Serpentinite (Kangiqsuqutaq/Korok Inlet), 40.6 x 45.7 x 19.1 cm, signed with syllabics and dated 2000, Feheley Fine Arts, Toronto ![]() Oviloo Tunnillie, Self-Portrait with Daughter Alasua in 1972, 2000 I want women to be strong, to try and use their talents.” Women are homemakers and mothers, but also women are carvers now. People would see it as man’s work, but today the woman has to be recognized more. If a woman was a carver it was a very unusual thing. She has explained: “At one time, when I was younger, I was shy, almost embarrassed to carve. She was aware that her interest in carving differed from normal social roles within her Inuit culture, but she never wavered in her non-traditional role of a female sculptor. In many ways, Oviloo’s art can be seen through a feminist lens. ![]() Indeed, other than Oviloo, only Lucy Tasseor Tutsweetok (1934–2012) has cultivated a significant reputation with international audiences. While it was not uncommon for women to take up carving, particularly in communities less focused on graphic art, it was men whose work gained widespread attention. You can watch the full documentation of BODY AND FREEDOM FESTIVAL 2015 if you pay 36 CHF on IBAN CH22 0900 0000 2500 3247 9, Swift-Bic-Code: POFICHBE, Thomas Zollinger and by sending an e-mail with your name to You receive links and passwords to 21 original video-documentations of the festival 2015, with totally more than 6hr videofilm.Kinngait (Cape Dorset) artist Oviloo Tunnillie (1949–2014) is one of few women to have gained national recognition as a stone carver in Canada. Willst du vom BODY AND FREEDOM FESTIVAL 2015 alle Dokumentationen sehen, so zahle 36 CHF auf IBAN CH22 0900 0000 2500 3247 9, Swift-Bic-Code: POFICHBE, Thomas Zollinger und sende ein e-Mail an Du erhältst die Links zu 21 Original-Dokumentationen der Festival-Performances, total über 6 Stunden Videofilm. Es konnte dank den Bezahlvideos auf vimeo (vimeo on demand) um etwa 3000 CHF verkleinert werden. Lang from Naked Projects on Vimeo.īody and Freedom: Elya May / Alina Kopytsa from Naked Projects on Vimeo.īody and Freedom: Rebecca Rymann from Naked Projects on Vimeo.īody and Freedom: Manuel Scheiwiller from Naked Projects on Vimeo.īody and Freedom: Imre Thormann from Naked Projects on Vimeo.īody and Freedom: Katharina Vogel from Naked Projects on Vimeo.īody and Freedom Festival Vanessa Wyssbrod from Naked Projects on Vimeoīody and Freedom: Thomas Zollinger from Naked Projects on Vimeo.ĭas Defizit des BODY AND FREEDOM FESTIVAL 2015 beträgt trotz Unterstützung durch die Stadt Biel, den Kanton Bern und privaten Gönnern 25’000 CHF. Support BODY AND FREEDOM FESTIVAL! Best way is here (Zurich 2018) or here (Biel 2015) on vimeo.Ģnd Body and Freedom Festival from Naked Projects on Vimeo.īody and Freedom Festival from Naked Projects on Vimeo.īody and Freedom Festival Glynis Ackermann from Naked Projects on Vimeo.īody and Freedom: Le Corps collectif from Naked Projects on Vimeo.īody and Freedom: Foofwa d’Imobilité from Naked Projects on Vimeo.īody and Freedom: Gisela Hochuli from Naked Projects on Vimeo.īody and Freedom: Flavia Ghisalberti / Valentin Tszin from Naked Projects on Vimeo.īody and Freedom: Lan Hungh from Naked Projects on Vimeo.īody and Freedom: Abraham Hurtado from Naked Projects on Vimeo.īody and Freedom: Miru Kim from Naked Projects on Vimeo.īody and Freedom: Annie Lam from Naked Projects on Vimeo.īody and Freedom: Till A. Deine Unterstützung ist sehr willkommen und hilft, ein drittes Festival zu ermöglichen: IBAN CH22 0900 0000 2500 3247 9, Swift-Bic-Code: POFICHBE, Thomas Zollinger. Auf dieser Seite siehst du die Video-Kurzversionen von den beiden BODY AND FREEDOM FESTIVAL (20), im Originalton, ohne Titel, ohne Kommentar, ohne Musik.ĭie komplette Videodokumentation findest du hier (Zürich 2018) und hier (Biel 2015) auf vimeo on demand.ĭas Defizit des Festivals 2018 in Zürich beträgt 30 000 CHF. ![]()
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